Journal Article

Alonso Recarte, Claudia, Grant, Teresa and Ramos Gay, Ignacio (2018) Introduction : real animals on the stage. Studies in Theatre and Performance, 38 (2). pp. 103-112. doi:10.1080/14682761.2018.1451941 ISSN 1468-2761.

Astbury, Katherine (2021) ‘Whole shew and spectacle’ : French Prisoner-of-War theatre in England during the Napoleonic era. Journal of War and Culture Studies, 14 (2). pp. 194-210. doi:10.1080/17526272.2021.1887577 ISSN 1752-6272.

Bazzoni, Alberica (2020) The (un)masking of patriarchal power in Pirandello’s six characters in search of an author and clothing the naked. Modern Language Notes, 135 (1). pp. 152-174. doi:10.1353/mln.2020.0019 ISSN 0026-7910.

Chen, Zhen Troy, Whyke, Thomas William, Lopez-Mugica, Joaquin and Peng, Altman Yuzhu (2023) Cashing the pink RMB through docile bodies : queering paradox of erotic entrepreneurs on Chinese social media platforms. Humanities and Social Sciences Communications, 10 (1). 491. doi:10.1057/s41599-023-02006-0 ISSN 2662-9992.

Coates, David J. (2020) Amateur theatre networks in the archive. Performance Research, 25 (1). pp. 39-43. doi:10.1080/13528165.2020.1736751 ISSN 1352-8165.

Davis, Jim (2017) Looking and being looked at : visualizing the Nineteenth-Century spectator. Theatre Journal, 69 (4). pp. 515-534. doi:10.1353/tj.2017.0068 ISSN 0192-2882.

Davis, Jim (2014) ‘Slap on! Slap ever!’: Victorian pantomime, gender variance, and cross-dressing. New Theatre Quarterly, Volume 30 (Number 3). pp. 218-230. doi:10.1017/S0266464X14000463 ISSN 0266-464X.

Dean, Deborah and Greene, Anne-Marie (2017) How do we understand worker silence despite poor conditions - as the actress said to the woman bishop. Human Relations, 70 (10). pp. 1237-1257. doi:10.1177/0018726717694371 ISSN 0018-7267.

Elden, Stuart (2017) Foucault and Shakespeare : ceremony, theatre, politics. Southern Journal of Philosophy, 55 (Supplement 1). pp. 153-172. doi:10.1111/sjp.12225 ISSN 0038-4283.

Franks, Matthew (2017) Laboratory, library, database : London’s avant-garde drama societies and ephemeral repertoire. Modernism/Modernity, 24 (3). pp. 549-574. doi:10.1353/mod.2017.0049 ISSN 1071-6068.

Franks, Matthew (2017) Schoolchildren or citizen shareholders? : Provincial repertory audiences, letters to the editor, and public subscription. Theatre Survey, 58 (2). pp. 186-208. doi:10.1017/S0040557417000060 ISSN 0040-5574.

Gluhovic, Milija (2019) Europe in crisis, the left, and the challenge of migration. Studies in Theatre and Performance, 39 (3). pp. 285-301. doi:10.1080/14682761.2019.1654295 ISSN 1468-2761.

Grant, Teresa (2018) A pleasant tragicomedy, the cat being scap’t”?: William Sampson’s The Vowbreaker (1636) and the instability of genre. Studies in Theatre and Performance, 38 (2). pp. 113-129. doi:10.1080/14682761.2018.1451947 ISSN 1468-2761.

Haedicke, Susan C. (2018) The Aroma-Home Community Garden Project’s democratic narratives : embodied memory-stories of planting and cooking. Public Art Dialogue, 8 (1). pp. 114-130. doi:10.1080/21502552.2018.1430290 ISSN 2150-2552.

Haedicke, Susan C. (2015) Co-performance of bodies and buildings : Compagnie Willi Dorner’s bodies in urban spaces and fitting and Asphalt Piloten’s around the block. Theatre Journal, 67 (4). pp. 643-661. doi:10.1353/tj.2015.0120 ISSN 0192-2882.

Haedicke, Susan C. (2016) Interrupting a legacy of hatred : Friches Théâtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. doi:10.1080/13569783.2016.1155409 ISSN 1356-9783.

Harpin, Anna (2020) You were an O. Your black O in the middle of your face’ : Madness and Catastrophe in Katie Mitchell’s Ophelias Zimmer and Anatomy of a Suicide. Contemporary Theatre Review, 30 (2). pp. 193-210. doi:10.1080/10486801.2020.1732954 ISSN 1048-6801.

Holdsworth, Nadine (2016) Performing place, heritage and Henry V in Portsmouth historic dockyard. Contemporary Theatre Review, 26 (2). pp. 196-210. doi:10.1080/10486801.2016.1144054 ISSN 1048-6801.

Hutchison, Yvette (2010) The 'Dark Continent' goes north: an exploration of intercultural theatre practice through Handspring and Sogolon Puppet Companies' production of Tall Horse. Theatre Journal , Vol.62 (No.1). pp. 57-73. doi:10.1353/tj.0.0335 ISSN 0192-2882.

Hutchison, Yvette and Ranford, Steve (2019) Creating a network on and off-line, in and out of Africa : African women playwright network. Research in Drama Education: The Journal of Applied Theatre and Performance, 24 (4). pp. 508-521. doi:10.1080/13569783.2019.1646122 ISSN 1356-9783.

Jestrovic, Silvija (2019) Bringing the left back : radical performances of dissent from the remains of ex-Yugoslavia. Studies in Theatre and Performance, 39 (3). pp. 240-255. doi:10.1080/14682761.2019.1654308 ISSN 1468-2761.

Kitchen, Jennifer (2021) Theatre and drama education and populism : the ensemble ‘family’ as a space for dialogic empathy and civic care. British Educational Research Journal, 47 (2). pp. 372-388. doi:10.1002/berj.3668 ISSN 0141-1926.

Lavender, Andy (2017) The internet, theatre and time : transmediating the theatron. Contemporary Theatre Review, 27 (3). pp. 340-352. doi:10.1080/10486801.2017.1343241 ISSN 1048-6801.

Lewando Hundt, Gillian, Bryanston, Claudette, Lowe, Pam, Cross, Saul, Sandall, Jane and Spencer, Kevin (2011) Inside ‘Inside view’ : reflections on stimulating debate and engagement through a multimedia live theatre production on the dilemmas and issues of pre-natal screening policy and practice. Health Expectations, Vol.14 (No.1). pp. 1-9. doi:10.1111/j.1369-7625.2010.00597.x ISSN 1369-6513.

Minors, Anne and Harvey, Carlo (2015) Influence of active listening on eye movements while viewing images of concert halls. Psychomusicology: Music, Mind, and Brain, 25 (3). pp. 345-354. doi:10.1037/pmu0000108 ISSN 0275-3987.

Neelands, Jonothan (2009) Acting together: ensemble as a democratic process in art and life. Research in Drama Education: The Journal of Applied Theatre and Performance, Vol.14 (No.2). pp. 173-189. doi:10.1080/13569780902868713 ISSN 1356-9783.

Neelands, Jonothan (2007) Taming the political: the struggle over recognition in the politics of applied theatre. Research in Drama Education, Vol.12 (No.3). pp. 305-317. doi:10.1080/13569780701560388 ISSN 1356-9783.

Neelands, Jonothan (2009) The art of togetherness: reflections on some essential artistic and pedagogic qualities of drama curricula. NJ Drama Australia Journal, Vol.33 (No.1). pp. 9-18. ISSN 1445-2294.

Nicholson, Rashna (2023) Decolonization and theatre history. New Theatre Quarterly, 39 (4). ISSN 0266-464X. (In Press)

Okuto, Maxwel and Smith, Bobby (2017) Reflecting on the challenges of applied theatre in Kenya. Research in Drama Education: The Journal of Applied Theatre and Performance, 22 (2). pp. 292-300. doi:10.1080/13569783.2017.1293509 ISSN 1356-9783.

Petrović, Goran (2019) Theatricality : a dramatic form of contesting spectatorial codes. Performance Research, 24 (4). pp. 68-75. doi:10.1080/13528165.2019.1641326 ISSN 1352-8165.

Purcell, Stephen (2018) Are Shakespeare's plays always metatheatrical? Shakespeare Bulletin , 36 (1). pp. 19-35. doi:10.1353/shb.2018.0002 ISSN 0748-2558.

Purcell, Stephen (2016) Editing for performance or documenting performance?: exploring the relationship between early modern text and clowning. Shakespeare Bulletin , 34 (1). pp. 5-27. ISSN 0748-2558.

Purcell, Stephen (2018) Performing the public at Shakespeare's Globe. Shakespeare, 14 (1). pp. 51-63. doi:10.1080/17450918.2018.1439091 ISSN 1745-0918.

Raffield, Paul (2021) Actors, fornicators, and other transgressors of law. Law and Humanities, 15 (2). pp. 245-271. doi:10.1080/17521483.2021.1983176 ISSN 1752-1483.

Reinelt, Janelle G. (2011) The performance of political correctness. Theatre Research International, Vol.36 (No.2). pp. 134-147. doi:10.1017/S0307883311000216 ISSN 1474-0672.

Smith, Bobby (2022) Performance and the transnational public sphere in Rwanda : An auto-ethnographic encounter with silence. Cahiers de Litterature Orale, 89-90 . pp. 133-156. doi:10.4000/clo.10019 ISSN 2266-1816.

Smith, Bobby (2017) Performing partnership: the possibilities of decentring the expertise of international practitioners in international Theatre for Development partnerships. Applied Theatre Research, 5 (1). pp. 37-51. doi:10.1386/atr.5.1.37_1 ISSN 2049-3029.

Smith, Bobby and Okuto, Maxwel (2023) Keeping the Peace? Perspectives from Kenyan practitioners working in applied performance and peacebuilding on project challenges, funding and support. Research in Drama Education: The Journal of Applied Theatre and Performance . doi:10.1080/13569783.2023.2211932 ISSN 1470-112X. (In Press)

Smyth, Patricia (2022) The Colleen Bawn in her element : sensation, spectatorship, meaning. Nineteenth Century Theatre and Film, 49 (2). pp. 144-164. doi:10.1177/17483727221115932 ISSN 1748-3727.

Smyth, Patricia (2016) Landscape and identity in Australian melodrama. Journal of Victorian Culture, 21 (3). pp. 363-386. doi:10.1080/13555502.2016.1197687 ISSN 1750-0133.

Smyth, Patricia (2019) Theatricality, Michael Fried, and nineteenth-century art and theatre. Performance Research, 24 (4). pp. 5-9. doi:10.1080/13528165.2019.1641314 ISSN 1352-8165.

Turner-King, Rachel (2018) Creating welcoming spaces in the city : exploring the theory and practice of ‘hospitality’ in two regional theatres. Research in Drama Education: The Journal of Applied Theatre and Performance, 23 (3). pp. 421-437. doi:10.1080/13569783.2018.1477583 ISSN 1470-112X.

Wardhaugh, Jessica (2020) From anarchism to state funding : Louis Lumet and the cultural paradoxes of the third republic. French Historical Studies, 43 (3). pp. 597-631. doi:10.1215/00161071-8552475 ISSN 0016-1071.

Watt, Gary (2021) Passing resemblance : death, masks, and law’s theatrical inheritance. Law Text Culture, 25 . pp. 22-52. ISSN 1322-9060.

Weston, Leanne (2022) Amy : beyond the stage. Jazz Research Journal, 15 (1-2). pp. 153-159. doi:10.1558/jazz.24224 ISSN 1753-8645.

Wheatley, Helen (2022) The consequences of the television closet : It’s a Sin (Red Production Company for Channel 4/HBO Max, 2021) as a meditation on the presence and absence of queer lives on British television. European Journal of Cultural Studies . 136754942210971. doi:10.1177/13675494221097133 ISSN 1460-3551.

Whybrow, Nicolas (2011) Situation Venice : towards a performative 'ex-planation' of a city. Research in Drama Education: the journal of applied theatre and performance, Vol.16 (No.2). pp. 279-298. doi:10.1080/13569783.2011.566994 ISSN 1356-9783.

Williams, Emma (2022) Making a drama out of a mental health crisis. Journal of Philosophy of Education, 56 (1). pp. 139-147. doi:10.1111/1467-9752.12648 ISSN 0309-8249.

de Medeiros, Paulo (2018) Lusophony or the haunted logic of postempire. Lusotopie, 17 (2). pp. 227-247. doi:10.1163/17683084-12341720 ISSN 1768-3084.

Book Item

Bakola, Emmanuela (2018) Seeing the invisible : interior spaces and uncanny Erinyes in Aeschylus’ Oresteia. In: Kampakoglou, Alexandros and Novokhatko, Anna, (eds.) Gaze, vision and visuality in ancient Greek literature. Trends in Classics , 54 . Berlin ; Boston: Walter de Gruyter GmbH, pp. 163-186. ISBN 9783110571288

Coates, David J. (2019) Mapping London's amateur theatre histories. In: Cochrane, Claire and Robinson, Jo, (eds.) The Methuen Drama Handbook of Theatre History and Historiography. Bloomsbury, pp. 126-138. ISBN 9781350034297

Elden, Stuart (2021) Ceremony, genealogy, political theology. In: Rai, Shirin M. and Gluhovic, Milija and Jestrovic, Silvija and Saward, Michael, (eds.) The Oxford Handbook of Politics and Performance. Oxford handbooks . New York: Oxford University Press, pp. 377-390. ISBN 9780190863456

Harpin, Anna (2016) Mute stages : performing silent lives. In: Harpin, Anna R. and Nicholson, Helen, (eds.) Performance and participation practices, audiences, politics. London: Palgrave Macmillan. ISBN 9781137393166

Neelands, Jonothan (2015) Democratic and participatory theatre for social justice : there has never been a famine in a democracy. But there will be. In: Freebody, Kelly and Finneran, Michael , (eds.) Drama and social justice : theory, research and practice in international contexts. Routledge research in education . Milton Park, Abingdon, Oxon ; New York, NY: Routledge. ISBN 9781138799653

Neelands, Jonothan (2011) Drama as creative learning. In: Sefton-Green, Julian and Thomson, Pat, 1951- and Jones, Ken and Breslar, Liora, (eds.) The Routledge international handbook of creative learning. The Routledge international handbooks series . Abingdon, Oxon ; New York : Routledge. ISBN 9780415548892

Neelands, Jonothan (2009) Getting off the subject: English, drama, media and the commonwealth of powerful culture. In: Manuel, Jacqueline and Brock, P. (Paul) and Carter , D. (Don) and Sawyer, Wayne, (eds.) Imagination, innovation, creativity: re-visioning English education. Sydney: Phoenix Education. ISBN 9781921586194

Neelands, Jonothan (2010) Mirror, dynamo or lens? Drama, children and social change. In: O'Connor, Peter, Dr., (ed.) Creating Democratic Citizenship through Drama Education: the writings of Jonothan Neelands. Stoke on Trent: Trentham Books. ISBN 9781858564562

Oliver, Emily (2018) Hamlet and the fall of the Berlin wall : the myth of interventionist Shakespeare performance. In: Mancewicz, Aneta and Joubin , A., (eds.) Local and Global Myths in Shakespearean Performance. Reproducing Shakespeare . Cham: Palgrave Macmillan, pp. 139-154. ISBN 9783319898506

Petrović, Goran (2018) Reconstructing the bodies : between the politics of order and the politics of disorder. In: Gržinić, Marina and Stojnić, Aneta, (eds.) Shifting Corporealities in Contemporary Performance. Avant-Gardes in Performance . Palgrave Macmillan, pp. 143-163. ISBN 9783319783420

Rutter, Carol Chillington (2018) Dressing the History Boys : Harry's Masks, Falstaff's Underpants. In: Holland, Peter, (ed.) Shakespeare Survey : Re-creating Shakespeare. Cambridge : Cambridge University Press, pp. 113-124. ISBN 9781108470834

Smith, Bobby, Azeda, Hope and Mbabazi, Lillian (2022) Performing violence, devising futures? Performance with and by young people in Rwanda and Uganda. In: Routledge Companion to Theatre and Young People. Routledge Companions . Routledge. ISBN 9780367712433 (In Press)

Conference Item

Barrett, Maria (2015) Diversity and social engagement : cultivating a working class theatre audience. In: 23rd ENCATC Annual Conference “The Ecology of Culture: Community Engagement, Co-creation, Cross Fertilization, Lecce , Italy, 22 Oct 2015. Published in: The Ecology of Culture pp. 47-61.

Journal Item

Holdsworth, Nadine, Milling, Jane and Nicholson, Helen (2017) Theatre, performance and the amateur turn. Contemporary Theatre Review, 27 (1). pp. 4-17. doi:10.1080/10486801.2017.1266229

Jestrovic, Silvija (2019) Worksites of the left. Studies in Theatre and Performance, 39 (3). pp. 217-223. doi:10.1080/14682761.2019.1654307

Mulcahy, Sean (2017) Acting Law | Law Acting : a conversation with Dr Felix Nobis & Prof Gary Watt. Exchanges: the Warwick Research Journal, 4 (2). pp. 189-200.

Smith, Bobby (2020) Conclusions/provocations : applied theatre and global/sustainable/development. Research in Drama Education: The Journal of Applied Theatre and Performance, 25 (4). pp. 590-592. doi:10.1080/13569783.2020.1804348

Report

Neelands, Jonothan, Henry, Nick, De Souza, Valerie, Anzel, Andrew, Beer, Haley, Scott, Mark, Hammerton, Tim, Tomlins, Richard and Healey, Tim (2023) Coventry UK City of Culture 2021 : performance measurement & evaluation – evaluation of the caring city programme. Coventry, UK: Core Monitoring and Evaluation Team ; University of Warwick ; Coventry University.

Thesis

Alrefaai, Nesrin (2009) An analytical study of Sadallah Wannous’s contribution towards defining an Arabic theatre in the Twentieth Century. PhD thesis, University of Warwick.

Aston, Elaine (1987) Outside the doll's house : a study in images of women in English and French theatre, 1848-1914. PhD thesis, University of Warwick.

Azmy, Hazem M. (2012) Staging Egypt on the global stage : (de)constructing narratives of post-9/11 Egyptian performance realities. PhD thesis, University of Warwick.

Babbage, Frances (2000) Re-visioning myth : feminist strategies in contemporary theatre. PhD thesis, University of Warwick.

Bahrami, Aida (2017) "Spectacles of woe" : Sadean readings of contemporary European drama. PhD thesis, University of Warwick.

Bai, Rongning (1996) Brecht and China : a mutual response. PhD thesis, University of Warwick.

Barrett, Maria (Researcher in theatre studies) (2016) 'Our place' : class, the theatre audience and the Royal Court Liverpool. PhD thesis, University of Warwick.

Belvis Pons, Esther (2012) Trans-formative theatre : living further realities. PhD thesis, University of Warwick.

Benshalom, Yotam (2012) Performing translation : theatrical theory and its relevance to textual transfer. PhD thesis, University of Warwick.

Bessac-Khelifi, Barbara (2022) Le décor vivant arts décoratifs et performance, des scènes théâtrales aux intérieurs de Paris et Londres 1851-1908. PhD thesis, University of Warwick.

Billing, Christian M. (2000) Fashioning anatomies : figurations of the sexed and gendered body on the early modern English stage. PhD thesis, University of Warwick.

Buonanno, Giovanna (1995) A stage under petticoat government : Italian international actresses in the age of Queen Victoria. PhD thesis, University of Warwick.

Calvert, Dave (2017) Performance, learning disability and the priority of the object : a study of dialectics, dynamism and performativity in the work of learning disabled artists. PhD thesis, University of Warwick.

Cattell, Tracy Catherine (2015) The living language of stage management : an interpretative study of the history and development of professional stage management in the United Kingdom, 1567-1968. PhD thesis, University of Warwick.

Chadwick, Eleanor (2017) Shakespeare, the Middle Ages, and contemporary historically-responsive theatre practice. PhD thesis, University of Warwick.

Charalambous, Chryso (2012) Drama/theatre education for democracy : the role of aesthetic communities. PhD thesis, University of Warwick.

Cho, Seoug-kwan (2014) Shakespeare and the South Korean Stage. PhD thesis, University of Warwick.

Clarke, Jan (1988) The Guénégaud Theatre 1673-1680 and the machine plays of Thomas Corneille. PhD thesis, University of Warwick.

Coates, David James (2017) The development of amateur theatre in Britain in the long nineteenth century, 1789-1914. PhD thesis, University of Warwick.

Cornford, Thomas (2012) The English theatre studios of Michael Chekhov and Michel Saint-Denis, 1935-1965. PhD thesis, University of Warwick.

Crossley, Mark B. A. (2013) Best not to ignore : a critical enquiry into a higher education cine-theatrical pedagogy. PhD thesis, University of Warwick.

Daroy, Alys (2022) Biophilic Shakespeare : towards an ecology of form. PhD thesis, University of Warwick.

Davis, Natasha (2016) Performing migratory identity : practice-as-research on displacement and (Be)Longing. PhD thesis, University of Warwick.

Davis, Tracy C. (1984) Critical and popular reaction to Ibsen in England, 1872-1906. PhD thesis, University of Warwick.

Deby, Carolyn May (2020) Urbanwild becomings : choreographing audience experience to reveal sympoietic entanglement in the Anthropocene everyday. PhD thesis, University of Warwick.

Estrada-Fuentes, María (2017) Performative reintegration : ex-combatants' transitions toward civilian identities in Colombia. PhD thesis, University of Warwick.

Farnell, Ian (2021) Contemporary British theatre and science fiction : staging the final frontier. PhD thesis, University of Warwick.

Feng, Mengyu (2019) Learning to teach moral education through drama in a Chinese primary school. PhD thesis, University of Warwick.

Finnan, Kevin (2005) A body of work: performance and becoming. PhD thesis, University of Warwick.

Finneran, Michael J. (2008) Critical myths in drama as education. PhD thesis, University of Warwick.

Fletcher, Andrew (2019) Shakespeare and the fiction of theatre. PhD thesis, University of Warwick.

Fowler, Benjamin Brynmor (2015) (Re)directing the text : politics & perception in the work Katie Mitchell & Thomas Ostermeier. PhD thesis, University of Warwick.

Francis, Michael Barrie (2013) Victorian values and the Victorian theatre. PhD thesis, University of Warwick.

Freakley, Vivien (2002) Mapping professional lives: the study of the professionalisation of actors and dancers. PhD thesis, University of Warwick.

French, Claire (2019) Methodologies for mobilising languaging : facilitating dynamic linguistic resources in applied performance praxis. PhD thesis, University of Warwick.

Fryer, Nic (2013) Towards a pedagogy of devised theatre praxis. PhD thesis, University of Warwick.

Gale, Maggie B. (1995) West End women : representations of woman, the female and femininity, in plays by women on the London stage 1918-1962. PhD thesis, University of Warwick.

Gould, Terence (2006) A historical study of the political and religious influences on the Alsatian language theatre. PhD thesis, University of Warwick.

Grossi, Alessandra (2022) Challenging narratives : gender, politics, and performance in mid-Victorian classical burlesque. PhD thesis, University of Warwick.

Hampton-Reeves, Stuart (1997) Henry VI in performance : history, culture and Shakespeare reproduced. PhD thesis, University of Warwick.

Hart, Natalie (2013) In-between zones : the impact of class and ethnicity on engagement with the Birmingham Repertory Theatre's youth theatre (The Young REP). PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Hatfull, Ronan (2018) ‘The other RSC’: the history and legacy of the Reduced Shakespeare Company. PhD thesis, University of Warwick.

Herington, Sky Frances Anson (2022) ‘L’ouragan du corps’: embodiment, entanglement and performances of power in Sony Labou Tansi’s theatre. PhD thesis, University of Warwick.

Heron, Jonathan (2015) A different kind of failure : towards a model of experimental theatre as transdisciplinary performance. PhD thesis, University of Warwick.

Hida, Norifumi (2013) Reconsidering hyogen education in Japan : drama for the whole person in the twenty-first century. PhD thesis, University of Warwick.

Holden, Michael Derrick (2020) The London theatre business in the late sixteenth century. PhD thesis, University of Warwick.

Holmwood, Clive (2012) An investigation into the space where drama education and dramatherapy meet. What does this mean in conceptual and practical terms for practitioner and participant? PhD thesis, University of Warwick.

Hopkins, Lisa (1986) John Ford and his circle : coterie values and the language of Ford's theatre. PhD thesis, University of Warwick.

Hudson, Julie Patricia (2017) The environment on stage: scenery or shapeshifter? PhD thesis, University of Warwick.

Infield, Rebecca (2021) ‘Briser tous les cadres’: theatre censorship and decolonisation in Britain and France (1950-1969). PhD thesis, University of Warwick.

Intepe, Demet (2020) Environmental justice and writers as activists in multi-ethnic U.S. literatures, film, and theater. PhD thesis, University of Warwick.

Irish, Tracy (2016) Possible Shakespeares : the educational value of working with Shakespeare through theatre-based practice. PhD thesis, University of Warwick.

James, Dafydd (2011) Queer moments : the profound politics of performance. PhD thesis, University of Warwick.

Johnson, David Vivian (2001) The history, theatrical performance work and achievements of Talawa Theatre Company 1986-2001. PhD thesis, University of Warwick.

Keenan, Siobhan (1999) Provincial playing places and performances in early modern England, 1559-1625. PhD thesis, University of Warwick.

King, Rachel E. (2013) Processes of 'positive multiculturalism' in practice : an extended case study with Warwick Arts Centre (WAC). PhD thesis, University of Warwick.

Kitchen, Jennifer (2018) Power of play: facilitating ensemble ‘third space’ for active citizenship in Shakespeare education. PhD thesis, University of Warwick.

Komporaly, Jozefina (2001) Configurations of mothering in post-war British women's playwriting. PhD thesis, University of Warwick.

Kritsis, Konstantinos (2013) Exploring theatre translation : the translator of the stage in the case of a Stanislavskian actor. PhD thesis, University of Warwick.

Krnić, Marija (2021) Performing martyrdom : theatre and community in the Eastern Adriatic Saints’ plays. PhD thesis, University of Warwick.

Kuksa, Iryna (2007) Scenography and new media technologies: history, educational applications and visualization techniques. PhD thesis, University of Warwick.

Lamb, Charles (1992) Irrational theatre : the challenge posed by the plays of Howard Barker for contemporary performance theory and practice. PhD thesis, University of Warwick.

Lee, Hye-Kyung (2003) Reinventing the non-profit theatre: a study of the growth of educational work in British non-profit theatres from the 1990s to the present. PhD thesis, University of Warwick.

Lich-Knight, Lynda (1986) Reconstruction in the West German theatre : from the "Stunde Null" to the currency reform. PhD thesis, University of Warwick.

Liu, Jing (Researcher in Business Studies) (2010) An exploratory study of situated learning phenomenon in two theatre producing companies in the UK. PhD thesis, University of Warwick.

Lo, Chia-Yu (2013) Using participatory drama to teach Chinese stories in British primary schools. PhD thesis, University of Warwick.

Louro, Maria Filomena Pereira Rodrigues (1991) The Drama of J.M. Synge : a challenge to the ideology and myths of Irishness. PhD thesis, University of Warwick.

Marsh, Patrick (1973) The theatre in Paris during the German occupation, 1940-1944, with special reference to the Comédie-Française. PhD thesis, University of Warwick.

McGowan, Jack (2016) Slam the book: the role of performance in contemporary UK poetics. PhD thesis, University of Warwick.

Md Fadzil, Fazlinda (2021) Theatre makers’ experience with crowdfunding : an exploratory study. PhD thesis, University of Warwick.

Merkin, Ros (1993) The theatre of the organised working class 1830-1930. PhD thesis, University of Warwick.

Mohamed, Noorlinah (2013) At the nexus between theatre and education : a study of theatre artists' teaching practices. PhD thesis, University of Warwick.

Moyo, Awelani L. (2013) Re-tracing invisible maps : landscape in and as performance in contemporary South Africa. PhD thesis, University of Warwick.

Mulcahy, Sean (2020) Performing the law: a study of performance in the court of law. PhD thesis, University of Warwick.

Musset, Anne (2016) Stage costume and the representation of history in Britain, 1776-1834. PhD thesis, University of Warwick.

Park, Kyung Ran (1998) Philomela and her sisters : explorations of sexual violence in plays by British contemporary women dramatists. PhD thesis, University of Warwick.

Parrott, Jessica M. (2019) Rolling the boards : the interplay of representation and recruitment in disability casting in UK theatre and television. PhD thesis, University of Warwick.

Pedley, Catherine (2003) Dualities: the female performer and the popular stage in late nineteenth-century Paris. PhD thesis, University of Warwick.

Penlington, Amanda Jane (2001) 'A little easy and modern for the times' : a documentary of productions of Ben Jonson's plays by major professional theatre companies in England, 1977-2000. PhD thesis, University of Warwick.

Penny, Sarah (2018) Stages of the sea : 20th century theatrical entertainment in the Royal Navy. PhD thesis, University of Warwick.

Phillips, Hannah (2020) The queer intersection of live and digital applied performance, youth, sexuality and mental health. PhD thesis, University of Warwick.

Pigkou-Repousi, Myrto (2012) Ensemble theatre and citizenship education : how ensemble theatre contributes to citizenship education. PhD thesis, University of Warwick.

Pilcher, Katy Elizabeth Mary (2012) Erotic dancing in night-time leisure venues : a sociological study of erotic dance performers and customers. PhD thesis, University of Warwick.

Poltrack, Emma (2015) The history and working practices of the Propeller Theatre Company (1997-2011). PhD thesis, University of Warwick.

Richards, Julian (2022) “This Man Is Great” : Glen Byam Shaw directs Shakespeare at Stratford-upon-Avon, 1951-1959. PhD thesis, University of Warwick.

Richards, Mary Elizabeth, Ph.D. (2002) Resisting the limits of the performing body. PhD thesis, University of Warwick.

Riddell, John (2020) 'A door into the dark' : small spaces for theatre in Belfast, 1950-2020. PhD thesis, University of Warwick.

Rissmann, Jeannette (2013) Dialect, drama and translation : a socio-cultural investigation into the factors influencing the choice of strategies in German-speaking Europe. PhD thesis, University of Warwick.

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Book Review

Raffield, Paul (2012) Review of Inns of Court edited by Nelson, A. H and Elliott, J. R. Renaissance Quarterly, Vol.65 (No.4). pp. 1327-1329. ISSN 0034-4338