A

Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.

Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.

Allen, Steven William (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.

B

Bennett, James (2007) Your window-on-the-world: interactive television, the BBC and the second shift aesthetics of public service broadcasting. PhD thesis, University of Warwick.

Brown, Tom (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.

Boss, Peter John (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.

C

Capitano, Rossana (2022) Politics and aesthetics in the cinema of Luchino Visconti 1943-1963. PhD thesis, University of Warwick.

Callaghan, Daniel (2016) The representation of prohibition in fully-serialised American prestige television. PhD thesis, University of Warwick.

Cox, Fiona E. (2013) Dressing the part : costuming of lesbian identities in contemporary film and television. PhD thesis, University of Warwick.

Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

Chua, Ling-Yen (1998) Deviant intersections : interrogating discourses of race, sexuality and non-white homosexuality in contemporary films. PhD thesis, University of Warwick.

Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.

D

Denny, Matthew (2015) The postmodern auteur : a contradiction in terms? PhD thesis, University of Warwick.

Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

Dwyer, Kevin Anthony (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.

E

Edwards, Jake (2021) Unidentified flying objects, photographic aesthetics, and moving images. PhD thesis, University of Warwick.

F

Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.

Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

G

Girina, Ivan (2015) Cinematic games : the aesthetic influence of cinema on video games. PhD thesis, University of Warwick.

Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.

Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Gow, Christopher Malcolm (2005) Iranian cinema in long shot. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

H

Hemingway, Tom (2021) The aesthetics of post-broadcast comedy television. PhD thesis, University of Warwick.

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

J

Jesson, Claire (2018) The projectionist in cinema and the persistence of film. PhD thesis, University of Warwick.

Jung, Berenike Christiane (2016) The (In)visibilities of torture : political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.

Johnstone, Sara R. (2013) A special relationship : the British Empire in British and American cinema, 1930-1960. PhD thesis, University of Warwick.

Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

Jacoby, Alexander (2010) The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964. PhD thesis, University of Warwick.

Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.

Johnson , Catherine (2002) Histories of telefantasy: the representation of the fantastic and the aesthetics of television. PhD thesis, University of Warwick.

K

Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.

L

Lester, Catherine (2016) The children's horror film : beneficial fear and subversive pleasure in an (im)possible Hollywood subgenre. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

M

Martin, Daniel (2022) The representation of the Northern male body in British film and television. PhD thesis, University of Warwick.

Magistrali, Silvia M. (2021) Cinematic imagery and the weekly press in post-war Italy : production sites, processes and people, 1950-1965. PhD thesis, University of Warwick.

Mulligan, Georgia (2017) The queer cinema of Jacques Demy. PhD thesis, University of Warwick.

Marco, Derilene (2016) Films about South Africa 1987-2014 : representations of 'The Rainbow'. PhD thesis, University of Warwick.

Merchant, Hayley J. (2012) Mind to screen : the conveyance of disordered mental states in film. PhD thesis, University of Warwick.

MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Miller, Denise Emily (2003) A transgressive femininity : narrative, spectacle and desire in the films of María Luisa Bemberg. PhD thesis, University of Warwick.

Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.

Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.

McDonald, Paul (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.

O

Ottman, Barbara Verena (2015) The Lubitsch touch : a meta-critical study, 1923–1947. PhD thesis, University of Warwick.

Oldham, Joseph Christopher (2013) Serial narratives of the secret state in British television drama, 1979-2010. PhD thesis, University of Warwick.

Oyarzabal, Santiago (2012) Representations of social crisis in recent Argentine cinema. PhD thesis, University of Warwick.

P

Palmer, Helen (2020) Sexual expression and the romantic ideal explored through an ‘American’ style of dance in dance-led dream ballets within Hollywood film musicals 1935-1956. PhD thesis, University of Warwick.

Pilkington, Patrick (2015) The courtroom trial sequence in Hollywood cinema, 1934-1966. PhD thesis, University of Warwick.

Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

Potts, Neill (2005) The television work of Alfred Hitchcock. PhD thesis, University of Warwick.

Phillips, Alastair (1999) City of darkness, city of light : the representation of Paris in the 1930's French films of the German emigrés. PhD thesis, University of Warwick.

R

Rios Miranda, Sofia (2020) Mexican screen melodrama : unravelling Mexico's sociocultural expectations and ambiguities. PhD thesis, University of Warwick.

Rao, Isabel Joan Sutherland (2018) Screening the seventies: Representations of the 1970s in British film and television. PhD thesis, University of Warwick.

Read, Jacinda (1998) Narratives of transformation : feminism, femininity and the rape-revenge cycle. PhD thesis, University of Warwick.

Radstone, Susannah (1989) The women's room : women and the confessional mode. PhD thesis, University of Warwick.

S

Shacklock, Zoe Ruth (2017) The kinaesthetics of serial television. PhD thesis, University of Warwick.

Stevens, Emily Charlotte (2015) Exploring the Vid : a critical analysis of the form and its works. PhD thesis, University of Warwick.

Soto, E. R. (2014) (Un)veiling bodies : a trajectory of Chilean post-dictatorship documentary. PhD thesis, University of Warwick.

Smith, Frances C. E. (2013) Rethinking the norm : Judith Butler and the Hollywood teen movie. PhD thesis, University of Warwick.

Sloan, Anna C. (2013) Imperial Hollywood : American cinematic representations of Europe, 1948-1964. PhD thesis, University of Warwick.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Shimada, Akiko S. (2011) Representations of girls in Japanese Magical Girl TV animation programmes from 1966 to 2003 and Japanese female audiences' understanding of them. PhD thesis, University of Warwick.

Steward, Tom (2010) Authorship, creativity and personalisation in US television drama. PhD thesis, University of Warwick.

Shaka, Femi Okiremuete (1994) Colonial and post-colonial African cinema : (a theoretical and critical analysis of discursive practices). PhD thesis, University of Warwick.

Stollery, Martin (1994) Alternative empires : Soviet montage cinema, the British documentary movement & colonialism. PhD thesis, University of Warwick.

T

Teinemaa, Teet (2017) The American imaginary in the contemporary American multi-protagonist film. PhD thesis, University of Warwick.

Taylor, James (2016) Hollywood superheroes : the aesthetics of comic book to film adaptation. PhD thesis, University of Warwick.

Thompson, Lauren Jade (2012) Becoming what women want : formations of masculinity in postfeminist film and television. PhD thesis, University of Warwick.

Thomas, Sarah (2008) Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre. PhD thesis, University of Warwick.

Treveri Gennari, Daniela (2005) America, the Vatican and the Catholic Church sphere of activity in Italian post war cinema (1945-1960). PhD thesis, University of Warwick.

Totaro, Donato (2001) Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker. PhD thesis, University of Warwick.

Tasker, Yvonne (1995) Spectacular bodies: gender, genre and the action cinema. PhD thesis, University of Warwick.

W

Weston, Leanne (2021) Fascinating rhythms : music programming, memory and materiality in visual culture. PhD thesis, University of Warwick.

Wolthuis, Josette Margarethe (2020) Dressing for television : costume, fashion and seriality. PhD thesis, University of Warwick.

Wąsik, Marta (2016) The home movie imagination in UK and US fiction films. PhD thesis, University of Warwick.

Weetch, Owen (2013) Images in depth : spectacle, narrative and meaning construction in contemporary 3D cinema. PhD thesis, University of Warwick.

Wallace, Richard James (2011) 'The fine line between stupid and clever' : re-thinking the comic mockumentary. PhD thesis, University of Warwick.

Wimmer, Leïla (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Willis, Corin Charles (2002) The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film. PhD thesis, University of Warwick.

Wheatley, Helen (2002) Gothic television. PhD thesis, University of Warwick.

Y

Yacavone, Peter (2014) The aesthetics of negativity : the cinema of Suzuki Seijun. PhD thesis, University of Warwick.

Z

Zhao, Jing (2020) The Chinese queer glocalisation of TV formats in the new millennium. PhD thesis, University of Warwick.

Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.

Ū

Ūdris, Jānis (1988) Grotesque and excremental humour : Monty Python's meaning of life. PhD thesis, University of Warwick.