Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Statistics
  • Help & Advice
University of Warwick

The Library

  • Login

Disclosure of the everyday : the undramatic achievements in narrative film

Tools
- Tools
+ Tools

Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.

[img]
Preview
PDF
WRAP_THESIS_Kievan_1996.pdf - Requires a PDF viewer such as GSview, Xpdf or Adobe Acrobat Reader

Download (21Mb)
Official URL: http://webcat.warwick.ac.uk/record=b1402732~S15

Abstract

The claim providing the starting point for this thesis is that most narrative films are in an overtly dramatic, melodramatic or comic idiom. These modes seem most adept at tapping the visually expressive potentialities of the art and satisfying the needs of the audience: the narratives of most films are structured around either confrontation, or colourful events, or crisis, or periods of significant change, and they are expressed in a demonstrative visual style. This thesis is interested in the way a few films uncover profundity by structuring narrative around a range of life experiences unavailable to the melodramatic mode as it has developed in world cinema; life experiences based in the everyday, that is in the routine or repetitive, in the apparently banal or mundane, the uneventful. The first part of the thesis discusses the nature of the achievement of these undramatic films which address the everyday: how they help us to understand the medium of film, its possibilities, and how they enhance our ways of viewing and appreciating narratives. This section also focuses on the work of Stanley Cavell, exploring the links between the everyday, film melodrama, and scepticism. The second half of the thesis looks at the specific achievements of four films. Here, the thesis continues the expressive tradition of film scholarship which analyses the communication of meaning through the construction of mise-en-scene, exploring how the themes, ideas, and happenings of a film are served by their stylistic strategies, while further highlighting how such strategies may reveal significant possibilities of the medium. In doing so it follows the approach of writers such as Stanley Cavell, V. F. Perkins and George M. Wilson whilst redirecting this tradition by applying it to less obviously expressive films.

Item Type: Thesis or Dissertation (PhD)
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
Library of Congress Subject Headings (LCSH): Fiction films -- History and criticism, Motion pictures -- Plots, themes, etc., Cavell, Stanley, 1926- -- Criticism and interpretation
Date: October 1996
Institution: University of Warwick
Theses Department: Department of Film and Television Studies
Thesis Type: PhD
Publication Status: Unpublished
Supervisor(s)/Advisor: Perkins, V. F., 1936-
Sponsors: University of Warwick
Extent: 293 p.
Language: eng
URI: http://wrap.warwick.ac.uk/id/eprint/4099

Request changes to a record

Actions (login required)

View Item View Item

Document Downloads

More statistics for this item...
twitter

Email us: publications@warwick.ac.uk
Contact Details
About Us