Journal Article

Aaron, Michele (2020) Love's revival : film practice and the art of dying. Film-Philosophy, 24 (2). pp. 83-103. doi:10.3366/film.2020.0133 ISSN 1466-4615.

Abbey, Matthew (2021) ‘Refugees welcome’, including in (gay) porn : violence under the mask of liberation. Porn Studies, 8 (3). pp. 314-330. doi:10.1080/23268743.2021.1879666 ISSN 2326-8743.

Allan, Seán (2011) 'Sagt, wie soll man Stalin danken?' Kurt Maetzig's Ehe im schatten (1947), Roman einer jungen ehe (1952) and the cultural politics of post-war Germany. German Life and Letters, Volume 64 (Number 2). pp. 255-271. doi:10.1111/j.1468-0483.2010.01532.x ISSN 1468-0483.

Baker, Catherine, Szczygielska, Marianna and Zorko, Špela Drnovšek (2021) Guarding the “Balkan Route” on the postsocialist frontier : revisiting Maja Weiss’ Varuh meje (2002). International Feminist Journal of Politics, 23 (5). pp. 811-828. doi:10.1080/14616742.2021.1991827 ISSN 1461-6742.

Brunsdon, Charlotte (2009) Introduction : screen Londons. Journal of British Cinema and Television, Vol.6 (No.2). pp. 165-177. doi:10.3366/E1743452109000855 ISSN 1743-4521.

Brunsdon, Charlotte (2012) 'It's a film' : medium specificity as textual gesture in Red road and The unloved. Journal of British Cinema and Television, Vol.9 (No.3). pp. 457-479. doi:10.3366/jbctv.2012.0100 ISSN 1743-4521.

Bruzzi, Stella (2010) Imperfect justice : Fritz Lang's Fury (1936) and cinema's use of the trial form. Law and Humanities, Vol.4 (No.1). pp. 1-19. ISSN 1752-1483.

Burrows, Jon (2009) ‘A vague Chinese quarter elsewhere’ : Limehouse in the cinema 1914–36. Journal of British Cinema and Television, Vol.6 (No.2). pp. 282-301. doi:10.3366/E1743452109000946 ISSN 1743-4521.

Constable, Catherine (2018) Challenging capitalism : ethics, exploitation and the sublime in Moon and Source Code. Science Fiction Film and Television, 11 (3). pp. 417-448. doi:10.3828/sfftv.2018.25 ISSN 1754-3770.

Constable, Catherine (2018) Surfaces of science fiction : enacting gender and “humanness” in Ex Machina. Film-Philosophy, 22 (2). pp. 281-301. doi:10.3366/film.2018.0077 ISSN 1466-4615.

De Luca, Tiago (2018) Earth networks : 'The human surge' and cognitive mapping. NECSUS: European Journal of Media Studies, Autumn 2018 . ISSN 2215-1222.

De Luca, Tiago (2017) On length : a short history of long cinema. ANIKI: Portuguese Journal of the Moving Image, 4 (2). pp. 335-352. doi:10.14591/aniki.v4n2.353 ISSN 2183-1750.

De Luca, Tiago (2019) The end of the world viewed, or the wind in the things : on Nikolaus Geyrhalter’s Homo Sapiens. Discourse : Journal for Theoretical Studies in Media and Culture, 41 (1). pp. 112-141. ISSN 1522-5321.

Devereaux, Michelle (2022) Orders from an unborn baby : maternal scepticism, vengeance and voicelessness in Alice Lowe’s Prevenge. Screen, 63 (1). pp. 107-114. doi:10.1093/screen/hjac007 ISSN 0036-9543.

Eikhof, Doris Ruth, Newsinger, Jack, Luchinskaya, Daria and Aidley, Daniela (2019) And … action? Gender, knowledge and inequalities in the UK screen industries. Gender, Work & Organization, 26 (6). pp. 840-859. doi:10.1111/gwao.12318 ISSN 0968-6673.

Epstein, Debbie and Steinberg, Deborah Lynn (2011) The Bourne tragedy : lost subjects of the bioconvergent age. MediaTropes, Vol.3 (No.1). pp. 89-112. ISSN 1913-6005.

Harrod, Mary (2020) From postnational mobility to posthuman fluidity : unfixed identities and social responsibilities in Personal Shopper (Assayas, 2016) and Happy End (Haneke, 2017). Northern Lights: Film & Media Studies Yearbook, 18 (1). pp. 85-101. doi:10.1386/nl_00015_1 ISSN 1601-829X.

Harrod, Mary (2022) Nostalgia, melancholy, trauma : backlash postfeminism in contemporary French screen romance. Nottingham French Studies, 61 (3). pp. 208-226. doi:10.3366/nfs.2022.0356 ISSN 0029-4586.

Harrod, Mary (2023) Staging the generic self : Céline Sciamma’s autofictional praxis. French Screen Studies, 23 (2-3). pp. 212-230. doi:10.1080/26438941.2022.2149171 ISSN 2643-895X.

Henderson, Stuart (2009) From screen to shelf : perspectives on independent distribution. Journal of British Cinema and Television, Vol.6 (No.3). pp. 468-480. doi:10.3366/E1743452109001149 ISSN 1743-4521.

Hodkinson, James R. (2020) Returning again. Resurrection narratives and afterlife aesthetics in contemporary television drama. Poetics Today, 41 (3). pp. 395-416. doi:10.1215/03335372-8519642 ISSN 0333-5372.

Hussein, Nazia and Hussain, Saba (2015) Interrogating practices of gender, religion and nationalism in the representation of Muslim women in Bollywood : contexts of change, sites of continuity. Exchanges: the Warwick Research Journal, 2 (2). pp. 284-304. ISSN 2053-9665.

Jesson, Claire (2017) 'We shall really have to do something about your equipment' : the projectionist’s negotiation of obsolescence in the Smallest Show on Earth and Coming Up Roses. Journal of British Cinema and Television, 15 (1). pp. 115-130. ISSN 1743-4521.

Lester, Catherine (2016) The children's horror film : characterizing an 'impossible' subgenre. The Velvet Light Trap, 78 . 628733. ISSN 0149-1830.

MacDowell, James (2018) Interpretation, irony, and "surface meaning" in film. Film-Philosophy, 22 (2). pp. 261-280. doi:10.3366/film.2018.0076 ISSN 1466-4615.

Mengis, Jeanne, Nicolini, Davide and Gorli, Mara (2018) The video production of space : how different recording practices matter. Organizational Research Methods, 21 (2). pp. 288-315. doi:10.1177/1094428116669819 ISSN 1094-4281.

Moffat, Kate (2018) Bodies in transition : Somatechnics and the experimental art of Liselotte Wajstedt's Sámi Nieida Jojk (Sámi Daughter Yoik, 2007). Somatechnics, 8 (1). pp. 48-63. doi:10.3366/soma.2018.0236 ISSN 2044-0138.

Moffat, Kate (2016) Short Subject : From imperfect strangers to new citizens : screening race and ethnicity in Nordic film history. Journal of Scandinavian Cinema, 6 (3). pp. 225-233. doi:10.1386/jsca.6.3.225_1 ISSN 2042-7891.

Moffat, Kate and Kaapa, Pietari (2018) Unthinking ethnocentrism : ecocritical approaches to ethnic diversity in Nordic screen media. Journal of Scandinavian Cinema, 8 (2). pp. 149-165. doi:10.1386/jsca.8.2.149_1 ISSN 2042-7891.

Morrey, Douglas (2010) Secrets and lies, or how (not) to write about Jacques Rivette. Australian Journal of French Studies, Vol.47 (No.2). pp. 121-132. ISSN 0004-9468.

Morrey, Douglas (2016) The rough and the smooth : narrative, character and performance in Fingers (1978) and De battre mon coeur s'est arrêté/The Beat that My Heart Skipped (2005). Studies in French Cinema, 16 (3). pp. 190-204. doi:10.1080/14715880.2016.1220196 ISSN 1471-5880.

O'Rourke, Chris (2020) Exploiting ambiguity : murder! and the meanings of cross-dressing in interwar British Cinema. Journal of British Cinema and Television, 17 (3). pp. 289-312. doi:10.3366/jbctv.2020.0530 ISSN 1743-4521.

O'Rourke, Chris (2014) “On the first rung of the ladder of fame”: would-be cinema stars in silent-era Britain. Film History: an international journal, 26 (3). pp. 84-105. doi:10.2979/filmhistory.26.3.84 ISSN 0892-2160.

O'Rourke, Chris (2020) ‘What a pretty man – or girl!’: Male cross‐dressing performances in early British Cinema, 1898–1918. Gender & History, 32 (1). pp. 86-107. doi:10.1111/1468-0424.12467 ISSN 0953-5233.

O’Rourke, Chris (2021) Imagining British film beauty : gender and national identity in 1920s ‘star search’ contests. Early Popular Visual Culture, 19 (4). pp. 342-363. doi:10.1080/17460654.2021.2074955 ISSN 1746-0654.

Perkins, V. F. (2009) Le plaisir: "the mask" and "the model". Film Quarterly, Vol.63 (No.1). pp. 15-22. doi:10.1525/FQ.2009.63.1.15 ISSN 0015-1386.

Pigott, Michael (2018) Sounds of the projection box : liner notes for a phonographic method. Journal of British Cinema and Television, 15 (1). pp. 27-45. doi:10.3366/jbctv.2018.0400 ISSN 1743-4521.

Ryzhenko, Ilia (2021) Review of Theatre through the camera eye : the poetics of an intermedial encounter by Laura Sava. Open Screens, 4 (2). 19. doi:10.16995/os.8017 ISSN 2516-2888.

Sargeant, Amy (2009) Sparrows can't sing : East End kith and kinship in the 1960s. Journal of British Cinema and Television, Vol.6 (No.2). pp. 256-266. doi:10.3366/E1743452109000922 ISSN 1743-4521.

Schmitz, Helmut (2016) Täter lite – unsere mütter, unsere väter and the manufacturing of empathy with German wartime trauma. German Life and Letters, 69 (3). pp. 365-386. doi:10.1111/glal.12125 ISSN 0016-8777.

Schoonover, Karl (2019) What do we do with vacant space in horror films? Discourse, 40 (3). pp. 342-357. ISSN 1522-5321.

Schoonover, Karl (2018) The cinema of disposal : Max Ophuls and accumulation in America. Differences, 29 (1). pp. 33-65. doi:10.1215/10407391-6681640 ISSN 1040-7391.

Schoonover, Karl and Galt, Rosalind (2015) Os mundos do cinema queer : da estética ao ativismo. ArtCultura, 17 (30). pp. 97-107. ISSN 1516-8603.

Schwartz, Laura (2018) Review article : the politics of remembering the suffragettes. Revue Francais Civilisation Britanique, XXIII (1). doi:10.4000/rfcb.1841 ISSN 0248-9015.

Smith, Ellie (2023) ‘Des plafonds dans les yeux’: representing the New Town in Naissance des pieuvres (Céline Sciamma, 2007). French Screen Studies, 23 (2-3). pp. 133-144. doi:10.1080/26438941.2022.2153450 ISSN 2643-895X.

Stone, Katherine (2016) Sympathy, empathy, and postmemory : problematic positions in Unsere Mütter, unsere Väter. Modern Language Review, 111 (2). pp. 454-477. doi:10.5699/modelangrevi.111.2.0454 ISSN 0026-7937.

Wallace, Richard James (2021) Documentary style as post-truth monstrosity in the mockumentary horror film. Quarterly Review of Film and Video, 38 (6). pp. 519-540. doi:10.1080/10509208.2020.1780107 ISSN 1050-9208.

Whittaker, Thomas (2018) Crime, knowledge and the photographic object in la isla mínima. Hispanic Research Journal, 19 (1). pp. 41-54. doi:10.1080/14682737.2017.1419547 ISSN 1745-820X.

Book Item

De Luca, Tiago (2017) Casa Grande & Senzala: domestic space and class conflict in Casa Grande and Que horas ela volta? In: da Silva, Antonio Marcio and Cunha, Mariana, (eds.) Space and Subjectivity in Contemporary Brazilian Cinema. Screening Spaces . London: Palgrave, pp. 203-219. ISBN 9783319839004

De Luca, Tiago (2018) Global visions : around-the-world travel and visual culture in early modernity. In: Bayman, Louis and Pinazza, Natália, (eds.) Journeys on Screen Theory, Ethics, Aesthetics. Edinburgh: Edinburgh University Press, pp. 19-35. ISBN 9781474421836

De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738

Morrey, Douglas (2023) Stars and acting in Claire Denis's films since 2010. In: Sloane, Peter, (ed.) ReFocus : The Films of Claire Denis. ReFocus: The International Directors Series . Edinburgh: Edinburgh University Press. ISBN 9781399511209 (In Press)

O'Rourke, Chris (2022) Boyish' women and female soldiers : British gender disguise comedies between the world wars. In: Gergely, Gábor and Hayward, Susan, (eds.) The Routledge Companion to European Cinema. Abingdon, Oxon: Routledge, pp. 285-293. ISBN 9781003027447

de Medeiros, Paulo (2019) Lusophone cinemas in transnational perspective. In: Leite, Ana Mafalda and Owen, Hilary and Sapega, Ellen W. and Secco, Tindó, (eds.) Postcolonial Nation and Narrative III: Literature & Cinema. Reconfiguring Identities in the Portuguese-Speaking World (13). Oxford: Peter Lang, pp. 21-34. ISBN 9781787075818

Conference Item

Goyal, Ankit, Kumar, Naveen, Guha, Tanaya and Narayanan, Shrikanth S. (2016) A multimodal mixture-of-experts model for dynamic emotion prediction in movies. In: 2016 IEEE International Conference on Acoustics, Speech and Signal Processing (ICASSP), Shanghai, China, 20-25 March 2016 pp. 2822-2826. ISBN 9781479999880. doi:10.1109/ICASSP.2016.7472192 ISSN 2379-190X.

Guha, Tanaya, Huang, Che-Wei, Kumar, Naveen, Zhu, Yan and Narayanan, Shrikanth S. (2015) Gender representation in cinematic content : a multimodal approach. In: 17th ACM International Conference on Multimodal Interaction, Seattle, Washington, USA, 9-13 Nov 2015 . Published in: Proceedings of the 2015 ACM on International Conference on Multimodal Interaction pp. 31-34. ISBN 9781450339124. doi:10.1145/2818346.2820778

Journal Item

Harrod, Mary (2022) Heightened genre and women’s filmmaking in Hollywood : Twilight (Catherine Hardwicke, 2008) as teen gothic. Feminist Encounters: A Journal of Critical Studies in Culture and Politics, 6 (2). p. 20. doi:10.20897/femenc/12343

Harrod, Mary and Powrie, Phil (2018) New directions in contemporary French comedies : from nation, sex and class to ethnicity, community and the vagaries of the postmodern. Studies in French Cinema, 18 (1). pp. 1-17. doi:10.1080/14715880.2017.1415420

MacDonald, Malcolm (2018) Editorial [in Language and Intercultural Communication]. Language and Intercultural Communication, 18 (6). pp. 591-594. doi:10.1080/14708477.2018.1522720

Schoonover, Karl and Corsi, Barbara (2020) Primed real estate : film producers and land development, a conversation with Karl Schoonover and Barbara Corsi. Historical Journal of Film Radio and Television, 40 (1). pp. 129-139. doi:10.1080/01439685.2020.1715600

Thesis

Akass, Kim (2022) Mothers on American television: the relationship between representation and economic oppression in a neoliberal patriarchal society. PhD thesis, University of Warwick.

Al-Qasimi, Noor (2007) The codes of modesty: reconfiguring the Muslim female subject. PhD thesis, University of Warwick.

Allen, Steven William (2003) A pleasure in pain : contemporary mainstream cinema's fascination with the aestheticized spectacle of the controlled body. PhD thesis, University of Warwick.

Andrews, Hannah, Ph.D. (2011) Public service broadcasters and British cinema, 1990–2010. PhD thesis, University of Warwick.

Boss, Peter John (1989) Death, disintegration of the body and subjectivity in the contemporary horror film. PhD thesis, University of Warwick.

Brown, Tom (2007) From intimate pleasures to spectacular vistas: musicality and historicity in French and American 'classical' cinema of the 1930s. PhD thesis, University of Warwick.

Bumrungsalee, Intira (2013) Translating culture in films : subtitling in Thailand. PhD thesis, University of Warwick.

Capitano, Rossana (2022) Politics and aesthetics in the cinema of Luchino Visconti 1943-1963. PhD thesis, University of Warwick.

Chua, Ling-Yen (1998) Deviant intersections : interrogating discourses of race, sexuality and non-white homosexuality in contemporary films. PhD thesis, University of Warwick.

Chung, Hsiao-Ling (2009) Managing the cross-industry networks of the audiovisual sector: a perspective from the independent screen productions in the UK and Taiwan. PhD thesis, University of Warwick.

Cox, Fiona E. (2013) Dressing the part : costuming of lesbian identities in contemporary film and television. PhD thesis, University of Warwick.

Crouse, Jeffrey Dennis (1997) Representations of screen heterosexuality in the musicals of Fred Astaire and Vincente Minnelli. PhD thesis, University of Warwick.

Curzon, John (2009) Whatever happened to the north of England? : the spaces of post-industrial northern England in contemporary television and film drama. PhD thesis, University of Warwick.

Darke, Paul Anthony (1999) The cinematic construction of physical disability as identified through the application of the social model of disability to six indicative films made since 1970 : A day in the death of Joe Egg (1970), The raging moon (1970), The elephant man (1980), Whose life is it anyway? (1981), Duet for one (1987) and My left foot (1989). PhD thesis, University of Warwick.

Denny, Matthew (2015) The postmodern auteur : a contradiction in terms? PhD thesis, University of Warwick.

Dwyer, Kevin Anthony (1996) On a celluloid platter : an analysis of the representations and functions of food and eating in the cinema. PhD thesis, University of Warwick.

Edwards, Jake (2021) Unidentified flying objects, photographic aesthetics, and moving images. PhD thesis, University of Warwick.

Falconer, Peter (2010) Melancholy in Hollywood westerns, 1939-1962. PhD thesis, University of Warwick.

Farnell, Ian (2021) Contemporary British theatre and science fiction : staging the final frontier. PhD thesis, University of Warwick.

Ferrand-Verdejo, Eva-Rosa (2022) The aesthetics of trauma : young Chilean filmmaking and the memory of the dictatorship. PhD thesis, University of Warwick.

Fowler, Catherine (1995) The films of Chantal Akerman : a cinema of displacements. PhD thesis, University of Warwick.

Frame, Gregory (2012) The American president in film and television. PhD thesis, University of Warwick.

Gabrysiak, Diane (2006) The representation of money in film : gold, paper, metal and electronic. PhD thesis, University of Warwick.

Gallimore, Adam (2014) Subjectivity, immediacy, and the digital : historical reassessment in contemporary American cinema. PhD thesis, University of Warwick.

Garwood, Ian (1999) Pop music and characterisation in narrative film. PhD thesis, University of Warwick.

Goode, Ian (2000) Voices of inheritance : aspects of British film and television in the 1980s and 1990s. PhD thesis, University of Warwick.

Grist, Leighton (1996) Authorship and context: the films of Martin Scorsese 1963-1977. PhD thesis, University of Warwick.

Guha, Malini (2008) The post-imperial cityscape: London and Paris in the cinema. PhD thesis, University of Warwick.

Haggith, Toby (1998) Castles in the air : British film and the reconstruction of the built environment, 1939-51. PhD thesis, University of Warwick.

Hartwig, David W. (2010) The place of Shakespeare : performing King Lear and The tempest in an endangered world. PhD thesis, University of Warwick.

Henderson, Stuart (2011) The history and form of the Hollywood sequel, 1911-2010. PhD thesis, University of Warwick.

Hitchin, Hannah (2022) Daughters, dream girls and gymslips : British teen femininities in the long 1960s. PhD thesis, University of Warwick.

Holdaway, Dom (2013) A return to cinema d'impegno? Cinematic engagements with organized crime in Italy, 1950-2010. PhD thesis, University of Warwick.

Intepe, Demet (2020) Environmental justice and writers as activists in multi-ethnic U.S. literatures, film, and theater. PhD thesis, University of Warwick.

Jacoby, Alexander (2010) The old capital on film : the representation of Kyoto in Japanese cinema, 1945-1964. PhD thesis, University of Warwick.

Jeffers, Tamar Elizabeth Louise (2005) "Should I surrender?": performing and interrogating female virginity in Hollywood films 1957-64. PhD thesis, University of Warwick.

Jenkins, Claire (2009) Family entertainment: representations of the American family in contemporary Hollywood cinema. PhD thesis, University of Warwick.

Jesson, Claire (2018) The projectionist in cinema and the persistence of film. PhD thesis, University of Warwick.

Johnstone, Sara R. (2013) A special relationship : the British Empire in British and American cinema, 1930-1960. PhD thesis, University of Warwick.

Joo, Woojeong (2011) The flavour of tofu : Ozu, history and the representation of the everyday. PhD thesis, University of Warwick.

Jung, Berenike Christiane (2016) The (In)visibilities of torture : political torture and visual evidence in U.S. and Chilean fiction cinema (2004 – 2014). PhD thesis, University of Warwick.

Kiss, Robert James (2000) The Doppelgänger in Wilhelmine cinema (1895-1914) : modernity, audiences and identity in turn-of-the-century Germany. PhD thesis, University of Warwick.

Klevan, Andrew (1996) Disclosure of the everyday : the undramatic achievements in narrative film. PhD thesis, University of Warwick.

Krebs, Gerhild (2021) Walter Rilla (1894-1980) : Medien, Darstellende Künste, Exil und Startum am Beispiel seines frühen und mittleren Filmwerks im deutsch-britischen Kulturkontext 1921-1957. PhD thesis, University of Warwick.

Laing, Heather (2000) Wandering minds and anchored bodies: music, gender and emotion in melodrama and the woman's film. PhD thesis, University of Warwick.

Lehin, Barbara (2003) Cinema and society: Thatcher's Britain and Mitterand's France. PhD thesis, University of Warwick.

Lester, Catherine (2016) The children's horror film : beneficial fear and subversive pleasure in an (im)possible Hollywood subgenre. PhD thesis, University of Warwick.

Lim, Michael Kho (2017) Pinoy Indie, Inc. : the cultural economy of distribution and Philippine independent cinema. PhD thesis, University of Warwick.

Liu, Tingli (2019) Love and marriage for ‘leftover' women : representations and readings in Chinese media. PhD thesis, University of Warwick.

Luijnenburg, Linde Maria Elise (2017) Hidden postcolonial conscience in Italian cinema: Attempts to autodefine ‘the Italian’ through representations of the Black Other in the commedia all’italiana. PhD thesis, University of Warwick.

MacDowell, James (2011) The final couple : happy endings in Hollywood cinema. PhD thesis, University of Warwick.

Macedo, Lynne (2001) Fiction and film : the influence of cinema on writers from Trinidad and Jamaica 1950-1985. PhD thesis, University of Warwick.

Magistrali, Silvia M. (2021) Cinematic imagery and the weekly press in post-war Italy : production sites, processes and people, 1950-1965. PhD thesis, University of Warwick.

Mancosu, Gianmarco (2019) DecolonItaly : decolonization and national identity in post-war Italy, 1945-1960. PhD thesis, University of Warwick.

Marco, Derilene (2016) Films about South Africa 1987-2014 : representations of 'The Rainbow'. PhD thesis, University of Warwick.

Marie, Laurent (2000) The French Communist Party and French cinema 1944-1999. PhD thesis, University of Warwick.

Martin, Daniel (2022) The representation of the Northern male body in British film and television. PhD thesis, University of Warwick.

Martino, Mariarita (2011) An analysis of scopophilia in an intersemiotic context : four Italian film adaptations. PhD thesis, University of Warwick.

McDonald, Paul (1997) Public bodies, private moments : method acting and American cinema in the 1950s. PhD thesis, University of Warwick.

Meir, Christopher (2007) Underwriting national sovereignty?: policy, the market and Scottish cinema, 1982- present. PhD thesis, University of Warwick.

Merchant, Hayley J. (2012) Mind to screen : the conveyance of disordered mental states in film. PhD thesis, University of Warwick.

Morrey, Douglas (2002) Jean-Luc Godard and the other history of cinema. PhD thesis, University of Warwick.

Moseley, Rachel (2000) Trousers and tiaras : growing up with Audrey Hepburn. PhD thesis, University of Warwick.

Mulligan, Georgia (2017) The queer cinema of Jacques Demy. PhD thesis, University of Warwick.

Ottman, Barbara Verena (2015) The Lubitsch touch : a meta-critical study, 1923–1947. PhD thesis, University of Warwick.

Oyarzabal, Santiago (2012) Representations of social crisis in recent Argentine cinema. PhD thesis, University of Warwick.

Palmer, Helen (2020) Sexual expression and the romantic ideal explored through an ‘American’ style of dance in dance-led dream ballets within Hollywood film musicals 1935-1956. PhD thesis, University of Warwick.

Phillips, Alastair (1999) City of darkness, city of light : the representation of Paris in the 1930's French films of the German emigrés. PhD thesis, University of Warwick.

Pigott, Michael (2009) Time and film style. PhD thesis, University of Warwick.

Pilkington, Patrick (2015) The courtroom trial sequence in Hollywood cinema, 1934-1966. PhD thesis, University of Warwick.

Pillai, Nicolas (2012) The happy couple : American marriages in Hollywood films 1934-1948. PhD thesis, University of Warwick.

Rao, Isabel Joan Sutherland (2018) Screening the seventies: Representations of the 1970s in British film and television. PhD thesis, University of Warwick.

Read, Jacinda (1998) Narratives of transformation : feminism, femininity and the rape-revenge cycle. PhD thesis, University of Warwick.

Rios Miranda, Sofia (2020) Mexican screen melodrama : unravelling Mexico's sociocultural expectations and ambiguities. PhD thesis, University of Warwick.

Sauter, Martin (2010) Liesl Frank, Charlotte Dieterle and the European Film Fund. PhD thesis, University of Warwick.

Sava, Laura (2011) Intermedial encounters : the representation of theatre in film. PhD thesis, University of Warwick.

Schmid, Julian (2020) Warning! Contains spoilers: reading post-‘9/11’ US security discourses through superhero films. PhD thesis, University of Warwick.

Shacklock, Zoe Ruth (2017) The kinaesthetics of serial television. PhD thesis, University of Warwick.

Shaka, Femi Okiremuete (1994) Colonial and post-colonial African cinema : (a theoretical and critical analysis of discursive practices). PhD thesis, University of Warwick.

Shaw, Spencer (2002) Showtime: the phenomenology of film consciousness. PhD thesis, University of Warwick.

Sloan, Anna C. (2013) Imperial Hollywood : American cinematic representations of Europe, 1948-1964. PhD thesis, University of Warwick.

Slugan, Mario (2014) Montage aesthetics : narrative, adaptation and urban modernity in Alfred Döblin’s Berlin Alexanderplatz. PhD thesis, University of Warwick.

Smith, Frances C. E. (2013) Rethinking the norm : Judith Butler and the Hollywood teen movie. PhD thesis, University of Warwick.

Sonbol, Deema (2020) A social constructionist approach to female entrepreneurs' media representation and experiences in Saudi Arabia. PhD thesis, University of Warwick.

Soto, E. R. (2014) (Un)veiling bodies : a trajectory of Chilean post-dictatorship documentary. PhD thesis, University of Warwick.

Stanley, Alice (2009) Representations of sexuality in the films of François Ozon. PhD thesis, University of Warwick.

Stollery, Martin (1994) Alternative empires : Soviet montage cinema, the British documentary movement & colonialism. PhD thesis, University of Warwick.

Sykes, Leo (1995) Directing through montage : a chronological look at the construction of performance through the creation and combination of its various elements. PhD thesis, University of Warwick.

Tasker, Yvonne (1995) Spectacular bodies: gender, genre and the action cinema. PhD thesis, University of Warwick.

Taylor, James (2016) Hollywood superheroes : the aesthetics of comic book to film adaptation. PhD thesis, University of Warwick.

Teinemaa, Teet (2017) The American imaginary in the contemporary American multi-protagonist film. PhD thesis, University of Warwick.

Thomas, Sarah (2008) Face-maker : the negotiation between screen performance, extra-filmic persona and conditions of employment within the career of Peter Lorre. PhD thesis, University of Warwick.

Thompson, Lauren Jade (2012) Becoming what women want : formations of masculinity in postfeminist film and television. PhD thesis, University of Warwick.

Totaro, Donato (2001) Time and the long take in The Magnificent Ambersons, Ugetsu and Stalker. PhD thesis, University of Warwick.

Treveri Gennari, Daniela (2005) America, the Vatican and the Catholic Church sphere of activity in Italian post war cinema (1945-1960). PhD thesis, University of Warwick.

Turner, Elizabeth Clair (2018) Box of tricks: a critical analysis of twenty-first century televised performance magic. PhD thesis, University of Warwick.

Walkley, Sarah Elizabeth (2016) To what extent can France continue to defend the cultural exception in the digital age? : an analysis of cultural diversity in the French film industry. PhD thesis, University of Warwick.

Weetch, Owen (2013) Images in depth : spectacle, narrative and meaning construction in contemporary 3D cinema. PhD thesis, University of Warwick.

Willis, Corin Charles (2002) The signifier returns to haunt the referent : blackface and the stereotyping of African-Americans in Hollywood early sound film. PhD thesis, University of Warwick.

Willmetts, Simon (2011) Falling out with history : Hollywood and the Central Intelligence Agency, 1945 - 1975. PhD thesis, University of Warwick.

Wimmer, Leïla (2006) The French reception of British cinema. PhD thesis, University of Warwick.

Wąsik, Marta (2016) The home movie imagination in UK and US fiction films. PhD thesis, University of Warwick.

Yacavone, Peter (2014) The aesthetics of negativity : the cinema of Suzuki Seijun. PhD thesis, University of Warwick.

Zborowski, James (2008) ‘Between sympathy and detachment’: point of view and distance in movies directed by Alfred Hitchcock, Otto Preminger and Max Ophuls. PhD thesis, University of Warwick.

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Book Review

Liu, Hong Yu (2022) Book Review. Global Media and China, 7 (2). pp. 241-243. ISSN 2059-4364

Palma-Gutierrez, Mauricio (2022) Breaking the Encanto. Journal of Refugee Studies . ISSN 0951-6328