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Venice topologies/sent to Coventry
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Whybrow, Nicolas (2010) Venice topologies/sent to Coventry. Liminalities: a journal of performance studies, Vol.6 (No.1). ISSN 1557-2935.
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Official URL: http://liminalities.net/6-1/venice.html
Abstract
This performance represents a form of reciprocation of a particular artwork whose
functioning was dependent precisely on the responses of a viewing or participating
public. However, where members of that broad-based public may have been
content simply to play their small part, my response has attempted to produce (or
perhaps that should be post-produce) my own artwork, which I present here as a
form of ‘performance on the page’. I will introduce the original artwork in some
detail first and then go on to my artwork-as-response as a form of postscript,
whereby I should say that the latter probably raises more questions and opens more
possibilities than it may seek to address with any rigour. I would defend this as a
tactic since it replicates the form not only of the artist’s original work but the
popular one that the artist concerned adopts, namely that of postcards.
Item Type: | Journal Article | ||||
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Subjects: | N Fine Arts > N Visual arts (General) For photography, see TR | ||||
Divisions: | Faculty of Arts > Theatre, Performance and Cultural Policy Studies | ||||
Library of Congress Subject Headings (LCSH): | Postcards -- Italy -- Venice, Venice (Italy) -- In art, Water in art | ||||
Journal or Publication Title: | Liminalities: a journal of performance studies | ||||
Publisher: | Liminalities | ||||
ISSN: | 1557-2935 | ||||
Official Date: | April 2010 | ||||
Dates: |
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Volume: | Vol.6 | ||||
Number: | No.1 | ||||
Status: | Peer Reviewed | ||||
Access rights to Published version: | Open Access (Creative Commons) | ||||
Date of first compliant deposit: | 1 August 2016 | ||||
Date of first compliant Open Access: | 1 August 2016 |
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