Skip to content Skip to navigation
University of Warwick
  • Study
  • |
  • Research
  • |
  • Business
  • |
  • Alumni
  • |
  • News
  • |
  • About

University of Warwick
Publications service & WRAP

Highlight your research

  • WRAP
    • Home
    • Search WRAP
    • Browse by Warwick Author
    • Browse WRAP by Year
    • Browse WRAP by Subject
    • Browse WRAP by Department
    • Browse WRAP by Funder
    • Browse Theses by Department
  • Publications Service
    • Home
    • Search Publications Service
    • Browse by Warwick Author
    • Browse Publications service by Year
    • Browse Publications service by Subject
    • Browse Publications service by Department
    • Browse Publications service by Funder
  • Statistics
  • Help & Advice
University of Warwick

The Library

  • Login

The problem of film-theatre intermediality in Jesus of Montreal

Tools
- Tools
+ Tools

Sava, Laura. (2010) The problem of film-theatre intermediality in Jesus of Montreal. Excursions, Vol.1 (No.1). pp. 102-122. ISSN 2044-4095

Full text not available from this repository.
Official URL: http://www.excursions-journal.org.uk/index.php/exc...

Abstract

My paper resorts to the recently theorized notion of intermediality in order to examine the representation of theatre in Jesus of Montreal (Denys Arcand, 1989) Far from being a stopgap term called into being by the ever more numerous instances of border violation between media, intermediality comes with a prestigious pedigree. It is a member of the ‘inter’ family (alongside terms such as intertextuality and interdisciplinarity) and a descendant of a comparative approach which extends far back in time, encompassing genres such as the apology and the paragone. Despite the fact that in film studies intermediality is still to a certain extent impending, it is highly applicable to instances where film quotes or references another medium. A focus on intermediality in Jesus of Montreal authorizes questions such as: Which are the prioritized connection points between film and theatre? How is the relation of the two media formulated by Arcand? How does a filmmaker stage a theatrical event for a cinema audience? My paper seeks to demonstrate and exemplify the sophisticated nature of the film’s involvement with theatre. To this effect, I shall use ideas drawn from intermediality studies, narratology and drama theory in conjunction with close analysis of chosen sequences.

Item Type: Journal Article
Subjects: P Language and Literature > PN Literature (General) > PN1993 Motion Pictures
P Language and Literature > PN Literature (General) > PN2000 Dramatic representation. The Theater
Divisions: Other > Institute of Advanced Study
Faculty of Arts > Film and Television Studies
Journal or Publication Title: Excursions
Publisher: University of Sussex School of English
ISSN: 2044-4095
Date: June 2010
Volume: Vol.1
Number: No.1
Number of Pages: 21
Page Range: pp. 102-122
Status: Peer Reviewed
Publication Status: Published
Access rights to Published version: Open Access
URI: http://wrap.warwick.ac.uk/id/eprint/43677

Request changes to a record

Actions (login required)

View Item View Item
twitter

Email us: publications@warwick.ac.uk
Contact Details
About Us