Journal Article

Bashford-Rogers, Thomas, Debattista, Kurt and Chalmers, Alan (2014) Importance driven environment map sampling. IEEE Transactions on Visualization and Computer Graphics (Number 99). doi:10.1109/TVCG.2013.258

Bourdua, Louise (2017) The discovery of the Trecento in the long nineteenth century. Predella, 41-42 . pp. 1-13.

Butcher, Kevin (2015) Coins from Sippar. Journal of the Oriental Society of Australia, 47 . pp. 182-189.

Bycroft, Michael (2018) Style and substance in rococo science. Journal of Interdisciplinary History, 48 (3). pp. 359-384. doi:10.1162/JINH_a_01162

Costello, Diarmuid (2012) Automat, automatic, automatism : Rosalind Krauss and Stanley Cavell on photography and the photographically dependent arts. Critical Inquiry, Vol.38 (No.4). pp. 819-854. doi:10.1086/667426

Dessy, Clément (2016) Une esthétique de la rue. 'La Revue blanche' au cœur de la ville. Romantisme, 2016/1 (171). pp. 74-88.

Gale, Ken, Gallant, Mike, Gannon, Susanne, Kirkpatrick, Davina, Malthouse, Marina, Percy, McClain, Perrier, Maud, Porter, Sue, Rippin, Ann, Sakellariadis, Artemi, Speedy, Jane, Wyatt, Jonathan and Wyatt, Tess (2013) Inquiring into Red/Red inquiring. Humanities, Volume 2 (Number 2). pp. 253-277. doi:10.3390/h2020253

Haedicke, Susan C. (2015) Co-performance of bodies and buildings : Compagnie Willi Dorner’s bodies in urban spaces and fitting and Asphalt Piloten’s around the block. Theatre Journal, 67 (4). pp. 643-661. doi:10.1353/tj.2015.0120

Haedicke, Susan C. (2016) Interrupting a legacy of hatred : Friches Théâtre Urbain's Lieu Commun. Research in Drama Education: The Journal of Applied Theatre and Performance, 21 (2). pp. 161-175. doi:10.1080/13569783.2016.1155409

Haedicke, Susan C. and Harper, Sarah (2015) Hope is a wooded time : an eco-performance of biodiversity in discarded geographic and social space. Performing Ethos : An International Journal of Ethics in Theatre & Performance, 5 (1/2). pp. 101-118. doi:10.1386/peet.5.1-2.101_1

Holdaway, Dominic (2012) Rome Awards : a return to cinema d'impegno? Contemporary cinematic engagements with organized crime. Papers of the British School at Rome, Volume 80 . pp. 353-354. doi:10.1017/S0068246212000402

Holdsworth, Nadine (2013) 'Boys don't dance, do they?'. Research in Drama Education: The Journal of Applied Theatre and Performance, Volume 18 (Number 2). pp. 168-178. doi:10.1080/13569783.2013.787255

Lambert, Cath (2016) The affective work of art : an ethnographic study of Brian Lobel's fun with cancer patients. The Sociological Review, 64 (4). pp. 929-950. doi:10.1111/1467-954X.12394

Pericolo, Lorenzo (2017) "Donna bella e crudele" : Michelangelo's Divine Heads in Light of the Rime. Mitteilungen des Kunsthistorischen Institutes Florenz, 59 (2). pp. 202-233.

Vickery, Jonathan (2011) Art, public authorship and the possibility of re-democratization. Visual Culture in Britain, Vol.12 (No.2). pp. 219-235. doi:10.1080/14714787.2011.575296

Welland, Julia (2017) Violence and the contemporary soldiering body. Security Dialogue . doi:10.1177/0967010617733355

Whybrow, Nicolas (2010) Venice topologies/sent to Coventry. Liminalities: a journal of performance studies, Vol.6 (No.1).

Whybrow, Nicolas (2015) Watermarked : ‘Venice really lives up to its postcard beauty'. Performance Research, 20 (3). pp. 50-57. doi:10.1080/13528165.2015.1049036

Book Item

Costello, Diarmuid (2014) Leaning into the wind : poiesis in Richard Long. In: Boetzkes, Amanda and Vinegar, Aron, (eds.) Heidegger and the Work of Art History. Farnham : Ashgate, pp. 141-169. ISBN 9781409456131

Costello, Diarmuid (2018) On the (so called) problem of detail : Michael Fried, Roland Barthes, and Roger Scruton on photography and intentionality. In: Abbott, Mathew, (ed.) Michael Fried and Philosophy: Modernism, Intention, and Theatricality. Routledge. ISBN 9781138679801

Costello, Diarmuid (2018) On the (so called) problem of detail : Michael Fried, Roland Barthes, and Roger Scruton on photography and intentionality. In: Abbott, Mathew, (ed.) Michael Fried and philosophy : modernism, intention, and theatricality. Routledge research in aesthetics, 1 . New York: Routledge, pp. 151-170. ISBN 9781138679801

Jensen, Eric (2016) Creativity and culture for all? Enhancing cultural participation in museums and galleries. In: Glaveanu, Vlad Petre , (ed.) The Palgrave Handbook of Creativity and Culture Research 2016. Basingstoke : Palgrave MacMillan. ISBN 9781137463432

Whybrow, Nicolas (2016) Complex Coventry : towards an urban sensography. In: Davies, Trevor and Verwilt, Katrien, (eds.) Changing Metropolis III : Metropolis 2012-15. Laboratory and festival for art and performance in urban space. Copenhagen: Copenhagen International Theatre, pp. 91-96.

Conference Item

Vickery, Jonathan (2011) Anti-spaces and ante-spaces in the post-creative city urban landscape. In: Eastside Projects Public Evaluation, Eastside Projects Digbeth Birmingham, 27-29 Oct 2011

Working or Discussion Paper

Vickery, Jonathan (2017) Researching SPILLOVER in the creative and cultural industries. Discussion Paper. Dortmund: European Research Partnership in Cultural and Creative Spillovers.

Submitted Journal Article

Perkins, V. F. (2008) You only live once.

Report

Vickery, Jonathan (2018) The Spon Spun Festival : final evaluation report. Coventry: KE-W and Artspace Partnership.

Vickery, Jonathan (2011) Stretching new boundaries : participation in visual arts. Folkestone: Strange Cargo. (Unpublished)

Thesis or Dissertation

Barnett, Maura (1993) The contemporary response to British art before Ruskin's "Modern painters" : an examination of exhibition reviews published in the British periodical press and the journalist art critics who penned them : from the late eighteenth century to 1843. PhD thesis, University of Warwick.

Barwell, Michael John (2002) Patterns of redemption: parachronicity in the work of Piero della Francesca, Frank Zappa and Stanley Spencer. PhD thesis, University of Warwick.

Bourdua, Louise (1991) Aspects of Franciscan patronage of the arts in the Veneto during the later Middle Ages. PhD thesis, University of Warwick.

Burnett, Sarah (2009) The cult of St Nicholas in medieval Italy. PhD thesis, University of Warwick.

Cameron, Alasdair F. (1983) The repertory theatre movement, 1907-1917. PhD thesis, University of Warwick.

Dunlop, Anne Elizabeth (1997) Advocata nostra: central Italian paintings of Mary as the Second Eve, c.1335-c.1445. PhD thesis, University of Warwick.

Eaton, Natasha Jane (2000) Imaging Empire : the trafficking of art and aesthetics in British India c.1772 to c.1795. PhD thesis, University of Warwick.

Eden, Alice (2016) Women, representation and the spiritual in the works of Thomas Cooper Gotch, Robert Anning Bell and Frederick Cayley Robinson. PhD thesis, University of Warwick.

Gatward Cevizli, Antonia (2011) Beyond Bellini : aspects of Italian-Ottoman cultural exchange 1453-1512. PhD thesis, University of Warwick.

Gibb, Reba Ann (2003) A study of the early Renaissance Sibyl cycles in the art of Northern and Central Italy. PhD thesis, University of Warwick.

Gietz, Nora (2013) The effects of revolutionary and Napoleonic policy on the artistic patrimony of Venice (1797 and 1806-1814). PhD thesis, University of Warwick.

Gow, Christopher Malcolm (2005) Iranian cinema in long shot. PhD thesis, University of Warwick.

Graham, Deborah Jane (2000) The manifestation of national identities in late eighteenth-century Scottish art c1750-1800. PhD thesis, University of Warwick.

Harrold, Jillian (2007) Saintly doctors : the early iconography of SS. Cosmas and Damian in Italy. PhD thesis, University of Warwick.

Hutchinson, Laura Anne (2010) Seeing as sensing : the structuring of bodily experience in modern pictorial art. PhD thesis, University of Warwick.

Lafferty, Michael Gerald (2006) Arthur Danto's philosophy of art. PhD thesis, University of Warwick.

Massini, Alexandra (2016) Taming transgression: Dionysos in the arts of the modern era. PhD thesis, University of Warwick.

Mirzoeff, Nicholas (1990) Pictorial sign and social order : L'Académie Royale de Peinture et Sculpture 1638-1752. PhD thesis, University of Warwick.

Morales, Patricia (2003) 'Mere good taste is nothing else but genius without the power of execution': artists as arbiters of taste, 1792-1836. PhD thesis, University of Warwick.

Niebrzydowski, Sue (1998) Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540. PhD thesis, University of Warwick.

Prophet, Jane (1994) Taste, teaching and the Utah teapot : creative, gender, aesthetic and pedagogical issues surrounding the use of electronic media in art and design education : with particular reference to hypertext applications. PhD thesis, University of Warwick.

Retford, Kate (2000) Family and familiarity : the domestic sphere in eighteenth-century English visual culture. PhD thesis, University of Warwick.

Wako, Miho (2012) Figured in lively paint : Eastern decorative art, English aestheticism, and consumer culture 1862-1900. PhD thesis, University of Warwick.

Walcot, Clare (2003) Figuring finance : London's new financial world and the iconography of speculation, circa 1689-1763. PhD thesis, University of Warwick.

Warr, Cordelia (1994) Female patronage and the rise of female spirituality in Italian art of the thirteenth and fourteenth centuries. PhD thesis, University of Warwick.

Wesner, Simone (2002) Adaptation and resistance: the impact of German unification on the living and working conditions of visual artists in Saxony and their response to transformation. PhD thesis, University of Warwick.

Willis, Zoë F. (2012) Saint cults and the politics of power in the Dalmatian commune of Zadar (1000-1468). PhD thesis, University of Warwick.

Zucca, Amy Marie (2002) Images of Moses and sixteenth-century Venice. PhD thesis, University of Warwick.

Book Review

Wright, David (2016) Review of Cultural policy : management, value and modernity in the creative industries by O'Brien, D. The British Journal of Sociology, 67 (3). pp. 569-570. ISSN 1468-4446

Scholarly Text

Vickery, Jonathan (2012) Public art and the art of the public : after the creative city. Birmingham: IXIA Public Arts Think Tank.

Vickery, Jonathan (2011) Strange cargo : the future of cultural participation. Strange Cargo. (Unpublished)

Vickery, Jonathan (2013) Urban art, intellectual property and aesthetic organization : understanding "2-3Strassen". Coventry: University of Warwick.

Vickery, Jonathan (2012) The past and possible future of countermonument. Birmingham: IXIA Public Arts Think Tank.