Items where Subject is "N Fine Arts > N Visual arts (General) For photography, see TR"
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Number of items at this level: 35.
Bashford-Rogers, Thomas, Debattista, Kurt and Chalmers, Alan. (2013) Importance driven environment map sampling. IEEE Transactions on Visualization and Computer Graphics (Number 99). ISSN 1077-2626
Costello, Diarmuid. (2012) Automat, automatic, automatism : Rosalind Krauss and Stanley Cavell on photography and the photographically dependent arts. Critical Inquiry, Vol.38 (No.4). pp. 819-854. ISSN 0093-1896
Gale, Ken, Gallant, Mike, Gannon, Susanne, Kirkpatrick, Davina, Malthouse, Marina, Percy, McClain, Perrier, Maud, Porter, Sue, Rippin, Ann, Sakellariadis, Artemi, Speedy, Jane, Wyatt, Jonathan and Wyatt, Tess. (2013) Inquiring into Red/Red inquiring. Humanities, Volume 2 (Number 2). pp. 253-277. ISSN 2076-0787
Haedicke, Susan C. and Harper, Sarah. (2015) Hope is a wooded time : an eco-performance of biodiversity in discarded geographic and social space. Performing Ethos : An International Journal of Ethics in Theatre & Performance, Volume 5 (Number 1/2). pp. 101-118. ISSN 1757-1979
Holdaway, Dominic. (2012) Rome Awards : a return to cinema d'impegno? Contemporary cinematic engagements with organized crime. Papers of the British School at Rome, Volume 80 . pp. 353-354. ISSN 0068-2462
Holdsworth, Nadine. (2013) 'Boys don't dance, do they?'. Research in Drama Education: The Journal of Applied Theatre and Performance, Volume 18 (Number 2). pp. 168-178. ISSN 1356-9783
Vickery, Jonathan. (2011) Art, public authorship and the possibility of re-democratization. Visual Culture in Britain, Vol.12 (No.2). pp. 219-235. ISSN 1471-4787
Whybrow, Nicolas. (2010) Venice topologies/sent to Coventry. Liminalities: a journal of performance studies, Vol.6 (No.1). ISSN 1557-2935
Whybrow, Nicolas. (2015) Watermarked : ‘Venice really lives up to its postcard beauty'. Performance Research, 20 (3). pp. 50-57. ISSN 1352-8165
Costello, Diarmuid (2014) Leaning into the wind : poiesis in Richard Long. In: Boetzkes, Amanda and Vinegar, Aron, (eds.) Heidegger and the Work of Art History. Farnham : Ashgate, pp. 141-169. ISBN 9781409456131
Submitted Journal Article
Perkins, V. F. (2008) You only live once.
Thesis or Dissertation
Barnett, Maura (1993) The contemporary response to British art before Ruskin's "Modern painters" : an examination of exhibition reviews published in the British periodical press and the journalist art critics who penned them : from the late eighteenth century to 1843. PhD thesis, University of Warwick.
Barwell, Michael John (2002) Patterns of redemption: parachronicity in the work of Piero della Francesca, Frank Zappa and Stanley Spencer. PhD thesis, University of Warwick.
Bourdua, Louise (1991) Aspects of Franciscan patronage of the arts in the Veneto during the later Middle Ages. PhD thesis, University of Warwick.
Burnett, Sarah (2009) The cult of St Nicholas in medieval Italy. PhD thesis, University of Warwick.
Cameron, Alasdair F. (1983) The repertory theatre movement, 1907-1917. PhD thesis, University of Warwick.
Dunlop, Anne Elizabeth (1997) Advocata nostra: central Italian paintings of Mary as the Second Eve, c.1335-c.1445. PhD thesis, University of Warwick.
Eaton, Natasha Jane (2000) Imaging Empire : the trafficking of art and aesthetics in British India c.1772 to c.1795. PhD thesis, University of Warwick.
Gatward Cevizli, Antonia (2011) Beyond Bellini : aspects of Italian-Ottoman cultural exchange 1453-1512. PhD thesis, University of Warwick.
Gietz, Nora (2013) The effects of revolutionary and Napoleonic policy on the artistic patrimony of Venice (1797 and 1806-1814). PhD thesis, University of Warwick.
Gow, Christopher Malcolm (2005) Iranian cinema in long shot. PhD thesis, University of Warwick.
Harrold, Jillian (2007) Saintly doctors : the early iconography of SS. Cosmas and Damian in Italy. PhD thesis, University of Warwick.
Hutchinson, Laura Anne (2010) Seeing as sensing : the structuring of bodily experience in modern pictorial art. PhD thesis, University of Warwick.
Lafferty, Michael Gerald (2006) Arthur Danto's philosophy of art. PhD thesis, University of Warwick.
Mirzoeff, Nicholas (1990) Pictorial sign and social order : L'Académie Royale de Peinture et Sculpture 1638-1752. PhD thesis, University of Warwick.
Morales, Patricia (2003) 'Mere good taste is nothing else but genius without the power of execution': artists as arbiters of taste, 1792-1836. PhD thesis, University of Warwick.
Niebrzydowski, Sue (1998) Verry matrymony : representations of the Virgin Mary and her mother, Saint Anne, as wives in medieval England, 1200-1540. PhD thesis, University of Warwick.
Prophet, Jane (1994) Taste, teaching and the Utah teapot : creative, gender, aesthetic and pedagogical issues surrounding the use of electronic media in art and design education : with particular reference to hypertext applications. PhD thesis, University of Warwick.
Retford, Kate (2000) Family and familiarity : the domestic sphere in eighteenth-century English visual culture. PhD thesis, University of Warwick.
Wako, Miho (2012) Figured in lively paint : Eastern decorative art, English aestheticism, and consumer culture 1862-1900. PhD thesis, University of Warwick.
Walcot, Clare (2003) Figuring finance : London's new financial world and the iconography of speculation, circa 1689-1763. PhD thesis, University of Warwick.
Warr, Cordelia (1994) Female patronage and the rise of female spirituality in Italian art of the thirteenth and fourteenth centuries. PhD thesis, University of Warwick.
Wesner, Simone (2002) Adaptation and resistance: the impact of German unification on the living and working conditions of visual artists in Saxony and their response to transformation. PhD thesis, University of Warwick.
Willis, Zoë F. (2012) Saint cults and the politics of power in the Dalmatian commune of Zadar (1000-1468). PhD thesis, University of Warwick.
Zucca, Amy Marie (2002) Images of Moses and sixteenth-century Venice. PhD thesis, University of Warwick.