Journal Article

Brazeau, Bryan (2019) Building a mystery : Giorgio de Chirico and Italian renaissance painting. The Italianist, 39 (1). pp. 20-43. doi:10.1080/02614340.2019.1556446

Bycroft, Michael (2018) Style and substance in rococo science. Journal of Interdisciplinary History, 48 (3). pp. 359-384. doi:10.1162/JINH_a_01162

El-Shewy, Mohamed (2020) The spatial politics of street art in post-revolution Egypt. Journal of Urban Cultural Studies, 7 (2-3). pp. 263-280. doi:10.1386/jucs_00029_1

Gerritsen, Anne (2016) Domesticating goods from overseas : global material culture in the early modern Netherlands. Journal of Design History, 29 (3). pp. 228-244. doi:10.1093/jdh/epw021

Hatt, Michael (2019) Zahrtmann’s symposium : ethics, history, desire. Perspective . pp. 1-42.

Jensen, Eric (2013) Reconsidering "the love of art" : evaluating the potential of art museum outreach. Visitor Studies, Volume 16 (Number 2). pp. 144-159. doi:10.1080/10645578.2013.827010

Laureti, S., Sfarra, S., Malekmohammadi, H., Burrascano, P., Hutchins, David A., Senni, L., Silipigni, G., Maldague, X. P. V. and Ricci, M. (2018) The use of pulse-compression thermography for detecting defects in paintings. NDT & E International, 98 . pp. 147-154. doi:10.1016/j.ndteint.2018.05.003

Lupi, Livia (2017) The rhetoric of fictive architecture : Copia and Amplificatio in Altichiero Da Zevio's Paintings at the Oratory of St George in Padua. Architectural History, 60 . pp. 1-35. doi:10.1017/arh.2017.1

Pericolo, Lorenzo (2017) "Donna bella e crudele" : Michelangelo's Divine Heads in Light of the Rime. Mitteilungen des Kunsthistorischen Institutes Florenz, 59 (2). pp. 202-233.

Roberts, Pendaran and Schmidtke, Kelly (2019) Folk core beliefs about color. Review of Philosophy and Psychology, 10 (4). pp. 849-869. doi:10.1007/s13164-019-00437-w

Schroeder, Jonathan D. S. (2014) The painting of modern light : local color before regionalism. American Literature, 86 (3). pp. 551-581. doi:10.1215/00029831-2717407

Smith, Paul (2018) ‘The most beautiful blue’ : painting, science, and the perception of coloured shadows. British Journal of Aesthetics, 58 (4). pp. 401-421. doi:10.1093/aesthj/ayy030

Smyth, Patricia (2019) Theatricality, Michael Fried, and nineteenth-century art and theatre. Performance Research, 24 (4). pp. 5-9. doi:10.1080/13528165.2019.1641314

Book Item

De Luca, Tiago (2018) Global visions : around-the-world travel and visual culture in early modernity. In: Bayman, Louis and Pinazza, Natália, (eds.) Journeys on Screen Theory, Ethics, Aesthetics. Edinburgh: Edinburgh University Press, pp. 19-35. ISBN 9781474421836

De Luca, Tiago (2017) Watching cinema disappear : intermediality and aesthetic experience in Tsai Ming-liang’s Goodbye Dragon Inn (2003) and Stray Dogs (2013). In: Gibbs, John and Pye, Douglas, (eds.) The Long Take : Critical Approaches. Palgrave Close Readings in Film and Television . London: Palgrave, pp. 163-176. ISBN 9781137585738

Smith, Paul (2007) 'Real primitives' : Cézanne, Wittgenstein, and the nature of aesthetic quality. In: Harris, Jonathan (Jonathan P.), (ed.) Value, art, politics : criticism, meaning and interpretation after Postmodernism. Value, art, politics . Liverpool: Liverpool University Press, pp. 93-122. ISBN 9781846310423

Thesis

Anderson, Joanne W. (2009) The Magdalen Fresco Cycles of the Trentino, Tyrol and Swiss Grisons, c.1300-c.1500. PhD thesis, University of Warwick.

Avilio, Carlo (2016) Naturalism and the picaresque in Jusepe de Ribera's work. PhD thesis, University of Warwick.

Carpiniello, Matteo (2019) Bartolomeo Montagna: business, art and mobility in Renaissance Veneto. PhD thesis, University of Warwick.

Collier, Carly Elizabeth (2013) British artists and early Italian art c. 1770-1845 : the pre Pre-Raphaelites? PhD thesis, University of Warwick.

Elliott, Janis (2000) The Last Judgement scene in central Italian painting, c.1266-1343 : the impact of Guelf politics, papal power and Angevin iconography. PhD thesis, University of Warwick.

Farquhar, Jillian Clare (2004) Trecento panel painting in Romagna and Marche : iconography, form and function. PhD thesis, University of Warwick.

Haughton, Ann (2014) Mythology and masculinity : a study of gender, sexuality and identity in the art of the Italian Renaissance. PhD thesis, University of Warwick.

Ichikawa, Kayoko (2015) Guido da Siena’s narrative panels and the Madonna del Voto : the formation of the Marian civic identity in Sienese Art c.1260. PhD thesis, University of Warwick.

Kearns, James (1976) Symbolist landscapes : the place of painting in the poetry and criticism of Mallarmé and his circle. PhD thesis, University of Warwick.

Lühr, Berit (2002) The language of gestures in some of El Greco's altarpieces. PhD thesis, University of Warwick.

Neher, Gabriele (1999) Moretto and Romanino: religious painting in Brescia 1510-1550: identity in the shadow of La serenissima. PhD thesis, University of Warwick.

Pacini, Benedetta (2019) Navigating the canals : making and moving venetian Renaissance paintings. PhD thesis, University of Warwick.

Purdom, Judy (2000) Thinking in painting : Gilles Deleuze and the revolution from representation to abstraction. PhD thesis, University of Warwick.

Quilley, Geoff (1998) The imagery of travel in British painting : with particular reference to nautical and maritime imagery, circa 1740-1800. PhD thesis, University of Warwick.

Schrock, Lauren (2017) Organisational dystopia : surrealist paintings for critical management studies. PhD thesis, University of Warwick.

Sutton, Kay Ann (1984) A Lombard manuscript, Paris B.N. Latin 757 : associated manuscripts and the context of their illumination. PhD thesis, University of Warwick.

Threlfall, Tim (1978) Piet Mondrian : his life's work and evolution, 1872 to 1944. PhD thesis, University of Warwick.

Vella, Charlene (2015) In the footsteps of Antonello Da Messina : the Antonelliani in Sicily and Venice in the late fifteenth and early sixteenth centuries. PhD thesis, University of Warwick.

Weil, Kathryn Emily van de (2019) Fascinum: the apotropaic phallus of Campania in the ancient & modern imagination. PhD thesis, University of Warwick.